 |
02-582-1011 |
email |
kbico
@recorderkorea.com |
¿ì¸®ÀºÇà ¿¹±ÝÁÖ:ÀÌÁ¤¼÷
430-07-116820
|
|
¡Ü Á¦ ¸ñ : The Modern Recorder Player Vol.2
¡Ü ÃâÆÇ»ç : Schott
¡Ü Æí Áý : Walter van Hauwe
¡Ü ¾ð ¾î : ¿µ¾î
¡Ü ¸ñ Â÷
Introduction
Part I: About Scales and Arpeggios 1. Intervals 2. Major Scales 3. Interval Scales 4. Minor Scales 5. Church Modes 6. Chromatic Scales and Other Variations 7. Speeding Up 8. Arpeggios Appendix for Advanced Players
Part II: About Trills 1. The Function of Trills 2. The Basic Movement of the Fingers 3. How to Blow During a Trill 4. The Measured or Chain Trill 5. The "Rubato" Trill 6. With or Without a Turn 7. On or Before the Beat 8. Alternative and Special Fingerings for Trills 9. Trill-turn Fingerings
Part III: About Vibrato 1. How to Produce Vibrato 2. The Larynx 3. Vibrato Technique 4. The Position of the Cheeks and Lips 5. Tempo Variations of the Vibrato Wave 6. Vibrato Used to Suggest Dynamics 7. Finger-Vibrato 8. Some Practical Examples
Part IV: More About Articulation 1. "Hidden" Articualtion 2. Articulation as the Main Element 3. Articulation and the Limitations of the Recorder 4. Some Notorious Articulation Problems 5. Some special Early Music Articulations 6. Articulations on Different Types of Recorder |
|
22,000¿ø
|
18,000¿ø
|
24,000¿ø
|
18,000¿ø
|
40,000¿ø
|
 |
¹è¼Ûºñ : ±âº»¹è¼Û·á´Â 3,000¿ø ÀÔ´Ï´Ù. (µµ¼,»ê°£,¿ÀÁö ÀϺÎÁö¿ªÀº ¹è¼Ûºñ°¡ Ãß°¡µÉ ¼ö ÀÖ½À´Ï´Ù) 50,000¿ø ÀÌ»ó ±¸¸Å½Ã ¹«·á¹è¼ÛÀÔ´Ï´Ù. |
 |
º» »óǰÀÇ Æò±Õ ¹è¼ÛÀÏÀº ÀÏÀÔ´Ï´Ù.(ÀÔ±Ý È®ÀÎ ÈÄ) ¼³Ä¡ »óǰÀÇ °æ¿ì ´Ù¼Ò ´Ê¾îÁú¼ö ÀÖ½À´Ï´Ù.[¹è¼Û¿¹Á¤ÀÏÀº ÁÖ¹®½ÃÁ¡(ÁÖ¹®¼ø¼)¿¡ µû¸¥ À¯µ¿¼ºÀÌ ¹ß»ýÇϹǷΠÆò±Õ ¹è¼ÛÀϰú´Â Â÷À̰¡ ¹ß»ýÇÒ ¼ö ÀÖ½À´Ï´Ù.] |
 |
º» »óǰÀÇ ¹è¼Û °¡´ÉÀÏÀº ÀÏ ÀÔ´Ï´Ù.
¹è¼Û °¡´ÉÀÏÀ̶õ º» »óǰÀ» ÁÖ¹® ÇϽŠ°í°´´Ôµé²² »óǰ ¹è¼ÛÀÌ °¡´ÉÇÑ ±â°£À» ÀǹÌÇÕ´Ï´Ù. (´Ü, ¿¬ÈÞ ¹× °øÈÞÀÏÀº ±â°£ °è»ê½Ã Á¦¿ÜÇϸç Çö±Ý ÁÖ¹®ÀÏ °æ¿ì ÀÔ±ÝÀÏ ±âÁØ ÀÔ´Ï´Ù.) |
 |
»óǰ û¾àöȸ °¡´É±â°£Àº »óǰ ¼ö·ÉÀÏ·Î ºÎÅÍ ÀÏ À̳» ÀÔ´Ï´Ù. |
 |
»óǰ ÅÃ(tag)Á¦°Å ¶Ç´Â °³ºÀÀ¸·Î »óǰ °¡Ä¡ ÈÑ¼Õ ½Ã¿¡´Â ÀÏ À̳»¶óµµ ±³È¯ ¹× ¹ÝǰÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù. |
 |
Àú´Ü°¡ »óǰ, ÀϺΠƯ°¡ »óǰÀº °í°´ º¯½É¿¡ ÀÇÇÑ ±³È¯, ¹ÝǰÀº °í°´²²¼ ¹è¼Ûºñ¸¦ ºÎ´ãÇÏ¼Å¾ß ÇÕ´Ï´Ù(Á¦Ç°ÀÇ ÇÏÀÚ,¹è¼Û¿À·ù´Â Á¦¿Ü) |
 |
ÀϺΠ»óǰÀº ½Å¸ðµ¨ Ãâ½Ã, ºÎǰ°¡°Ý º¯µ¿ µî Á¦Á¶»ç »çÁ¤À¸·Î °¡°ÝÀÌ º¯µ¿µÉ ¼ö ÀÖ½À´Ï´Ù. |
 |
½Å¹ßÀÇ °æ¿ì, ½Ç¿Ü¿¡¼ ÂøÈÇÏ¿´°Å³ª »ç¿ëÈçÀûÀÌ ÀÖ´Â °æ¿ì¿¡´Â ±³È¯/¹Ýǰ ±â°£³»¶óµµ ±³È¯ ¹× ¹ÝǰÀÌ ºÒ°¡´É ÇÕ´Ï´Ù. |
 |
¼öÁ¦È Áß °³º° ÁÖ¹®Á¦ÀÛ»óǰ(±Á³ôÀÌ,¹ßº¼,»çÀÌÁî º¯°æ)ÀÇ °æ¿ì¿¡´Â Á¦ÀÛ¿Ï·á, Àμö ÈÄ¿¡´Â ±³È¯/¹Ýǰ±â°£³»¶óµµ ±³È¯ ¹× ¹ÝǰÀÌ ºÒ°¡´É ÇÕ´Ï´Ù. |
 |
¼öÀÔ,¸íǰ Á¦Ç°ÀÇ °æ¿ì, Á¦Ç° ¹× º» »óǰÀÇ ¹Ú½º ÈѼÕ, ºÐ½Ç µîÀ¸·Î ÀÎÇÑ »óǰ °¡Ä¡ ÈÑ¼Õ ½Ã ±³È¯ ¹× ¹ÝǰÀÌ ºÒ°¡´É ÇÏ¿À´Ï, ¾çÇØ ¹Ù¶ø´Ï´Ù. |
 |
ÀϺΠƯ°¡ »óǰÀÇ °æ¿ì, Àμö ÈÄ¿¡´Â Á¦Ç° ÇÏÀÚ³ª ¿À¹è¼ÛÀÇ °æ¿ì¸¦ Á¦¿ÜÇÑ °í°´´ÔÀÇ ´Ü¼øº¯½É¿¡ ÀÇÇÑ ±³È¯, ¹ÝǰÀÌ ºÒ°¡´ÉÇÒ ¼ö ÀÖ»ç¿À´Ï, °¢ »óǰÀÇ »óǰ»ó¼¼Á¤º¸¸¦ ²À ÂüÁ¶ÇϽʽÿÀ. |
|
|
|